In reality the figure might be a confession made of its
own free will, a reproduction facing us ambiguously as an intentional
echo of things
that have come to pass. Where does it draw its powers?
A portrait reclining or suspended curiously preserving,
revealing and concealing.
It invests the subject with meanings
connected with the viewer.
One where he sees a brother. A long
lost lover, a sad friend. Sometimes, he disappears here.
Others, appears totemic promising security within the
undulating absence of time.
Beneath the solidity of
perception, enters the easy deference of
The excerpts are from the book "Art and Technique
in Cinema" by Giorgos
Model_Theo with Vivian C