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Voire_Histoire N°III  
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Posted on Mar 4 2021
atelier voire-ladiesngents-Thomas Vasseur

atelier voire-ladiesngents-Thomas Vasseur


Launched in 2015, Voir(e) is a french innovative ready-to-wear workshop that offers a range
of unisex outerwear and accessories bursting with character, made in France and in very limited editions. Designer Thomas Vasseur explores an imaginary
and fantasy world with a travel-orientated twist, incorporating geographical and historical elements in his clothing.
Every collection has subsequently been influenced by artisanry,
craftsmanship, local customs, literature, painting and music.
These inspirations can be seen in the ethnic and historical detailing of these unique and meaningful clothes for daily wear:
jackets and coats definitely made to be worn and enjoyed.











atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur








atelier voire-ladiesngents-Thomas Vasseur



Photographe  Paloma Pineda




http://ateliervoire.com/




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ELIRAN NARGASSI_FW17  
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Posted on Jan 7 2018
ELIRAN NARGASSI-ladiesngents-Danny Lowe
ELIRAN NARGASSI-ladiesngents-Danny Lowe


The starting point for ELIRAN NARGASSI’s FW2017/18 collection is the marvel & simplicity
of the human anatomy. Tracing the contours of the Human body, turning it into graphic lines symmetrically following the body, along the clavicle, the shoulders, following the arms and down to the legs, while keeping emphasis on the body’s center. The tracing assignment is done using the classic inner finishes such as contrast satin bindings, commonly used in traditional tailoring, but using them on the exterior of the garment.









ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe







ELIRAN NARGASSI-ladiesngents-Danny Lowe




Photographer   Danny Lowe
Model   Tor Vardimon Gudnason
Hair & Makeup   Gali Keren




elirannargassi.com




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Cecile MORAGE_ESMOD ROUBAIX 2016  
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Posted on Sep 2 2017
Cécile MORAGE-ESMOD ROUBAIX-ladiesngents
Cécile MORAGE-ESMOD ROUBAIX-ladiesngents
The EgoTripples Collection by Cecile MORAGE is inspired with Sigmund FREUD’S concepts
of EROS and THANATOS which are the drives of life and death and govern human interaction. This concept is based on the principle of attraction-aversion oscilating between the yearn for admiration and the rejection by other people. It can be personified as Matriochka because of its overlapping personalities
as well as its flower pattern and round shapes.
This antagonism can be seen in these patterns at the very first glance: the mixture of anatomical plates is a reference to Thanatos, whereas flowers symbolise femminity, roundness and gentleness. As a whole it brings out a form of spleen poetry close to the Slavic culture.
This collection plays with two categories of femminity: the seductive one and childlike.
These two cross each other and get mixed up in both attraction and rejection.
The aspect of attractiveness can be found in the body parts associated to seduction: eyes, hair, mouth, breasts and hands. It can also be seen in the feminine and cheerful range of colours. The round and enveloping shapes of the clothes and the soft textiles such as cotton satin make it full of of attractiveness and the childlike feminity. However, this yearn for admiration results in frustration and exaggerations aimed at other people’s attention
which lead to their aversion. The latter is expressed by body distortion and transformation:
oversized mouth and dropped breasts...
The image of childhood becomes threatening because of the impressive dolls’ heads and
their eyes placed in buttons.
This surreal and plastic collection is a catharic summary of the student’s universe.










Cécile MORAGE-ESMOD ROUBAIX-ladiesngents







Cécile MORAGE-ESMOD ROUBAIX-ladiesngents







Cécile MORAGE-ESMOD ROUBAIX-ladiesngents







Cécile MORAGE-ESMOD ROUBAIX-ladiesngents







Cécile MORAGE-ESMOD ROUBAIX-ladiesngents







Cécile MORAGE-ESMOD ROUBAIX-ladiesngents




Photographer   Nicolas DJAVANSHIR
Muah    Amelie ESNOU
Model   Cindy Philippe   Pauline LEULLIEUX




http://www.esmod.com/




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Carolin Holzhuber x Iris Van Herpen  
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Posted on Feb 2 2017
Carolin Holzhuber x Iris Van Herpen - ladiesngents

Carolin Holzhuber x Iris Van Herpen - ladiesngents






Carolin Holzhuber expands on her own collection’s point of inspiration in her collaboration with Iris Van Herpen.
As many designers choose to fight back against the breakneck speed of the fashion cycle and the unbalanced scales of the craft leaning more and more towards profit rather than art form, Holzhuber looks to the small but powerful statement - No -. Taking a stand against tumultuous times and systems,
the strength and stability in the designs are unwavering.
The intensity of the shoes themselves encourages one to take the time to engage visually with the striking concepts. While the Iris Van Herpen collection - Between The Lines - asks us to admire the subtly and suggestion that is hinted at between the folds and stitches of her sculpted garments, Carolin Holzhuber‘s structural pieces leave no room for misunderstanding the power in her statement. The collaborative collection compliments Van Herpen‘s through the embracing of negative space,
making the beauty of the wearer‘s bare skin just as important as the fine nappa leathers and Austrian made carbon fibers Holzhuber so skillfully employs. Made with meticulous care by hand in her east London studio, Holzhuber’s focus on detail is ever present, giving life a meaning to each pair made.










Carolin Holzhuber x Iris Van Herpen - ladiesngents




Carolin Holzhuber x Iris Van Herpen - ladiesngents

SS17 - NO - 5 for Iris van Herpen








Carolin Holzhuber x Iris Van Herpen - ladiesngents







Carolin Holzhuber x Iris Van Herpen - ladiesngents







Carolin Holzhuber x Iris Van Herpen - ladiesngents







Carolin Holzhuber x Iris Van Herpen - ladiesngents






Carolin Holzhuber x Iris Van Herpen - ladiesngents


SS17 - NO - 5 for Iris van Herpen




http://www.carolinholzhuber.com




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